Edited by Sharoon Wood, Erica Moretti

Introduction: Annie Vivanti - Linguistic, Nomadism, Gender, and Modernity

i. Constructing a Female Self

Ombretta Frau, Ogres and Bells: Vivanti, Carducci, and Mentorship in Post-Unification Italy

Ursula Funning, Contructing Selves, Performing Femininities: Singers, Sirens, Mothers

Julie Dashwood, Annie Vivanti and the Femme Fatale

Cristina Grignani, War Rape and Hybrid Birth


ii. Translation and Culture Mediation

Mariarosa Mettifogo, Annie Vivanti's Transatlantic Crossings

Marianna Deganutti, A "Mistaken" Choise of Language? A Case of Sel-Translation

Sara Ceroni,  Dominance and Subversion in Annie Vivanti's Tenebroso Amore


iii. Political Engagement and Journalism

Anna Urbanic, Annie Vivanti: Journalism and Critic

Erica Moretti, A Literary Collaboration: Annie Vivanti and the «Corriere della Sera»

Chiara Chini, Annie Vivanti and Struggle hor Irish Indipendence

Noemi Crain Merz, "The Great Devourer": Annie Vivanti's a Friendship with Barbara Allison (1917-1921)


iv. Vivanti Across Literary Genres

Enrico Minardi, "Un nuovo canto audace e forte": the Modernity of Lirica (1890)

Sabrina Cavallucci, Annie's Laugh: Humor, Satire, and Irony in Annie Vivanti' Works

Giulia Pezzuolo, Annie Vivanti and Her "Children's Book"


v. Reception and Adaptation

Lisa Sarti, A Woman on Display: Annie Vivanti's Marion artista di caffè concerto

Filippo Fonio, Annie Vivanti's Fortunes en France

Stephen Gundle, Simona Storchi, Guai ai vinti: from Novel to Film


                           

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