| Author | Institution | Country | Title of the paper |
| David Callahan | University of Aveiro | Portugal | The Hate Highway: Internet Rage |
| Antonio Cao | Fairleigh Dickinson University | USA | Human Rights on the Border in Boxcar and Nowhere on the Border |
| Isabel Carrera Suárez | University of Oviedo | Spain | Sexual Spaces and the Right to the Postcolonial City |
| Anthony Carrigan | University of Leeds | UK | Sex Tourism, Animal Abuse, and Questions of Sustainability in Chandani Lokugé’s Turtle Nest (2003) |
| Francesco Cattani | Università di Bologna | Italy | Unsettling and Settling in Sydney: the Right of Representation. |
| Sabrina Ceccato | Università di Cà Foscari | Italy | Jamaican Movies: An Expression of Freedom |
| Sim Chee Cheang | University Malaysia Sabah | Malaysia | The Act of Writing: Towards Freedom for the Tionghoa Peranakans of the East Indies |
| Shirley Chew | University of Leeds | UK | Put to the test: Nayantara Sahgal and Wole Soyinka on Freedom |
| Bryan Cheyette | University of Reading | UK | Freedom and Counterviolence: Primo Levi, Frantz Fanon and Jean Améry |
| Min-Hua Chou | National Taiwan Univeristy | Taiwan | “Nothing for Nothing”: The Counter-Gift from the Other in Hari Kunzru’s Transmission |
| Daniela Ciani Forza | Università Ca’Foscari, Venezia | Italy | From Postcolonial to Postnationalist Literary Theories and Practices: Latino Writing in the United States |
| Roberta Cimarosti | Università Ca’ Foscari, Venezia | Italy | What Global Communication, and Why Must Literature Be a Lost Cause? Notes from Conversations between Shakespeare, Wole Soyinka and Les Murray |
| Stephen Clingman | University of Massachusetts, Amherst. | USA | Broken Routes, Broken Rights: The Fiction of Caryl Phillips |
| Isabella CloughMarinaro | The American University of Rome | Italy | No Place for Roma in Multicultural Rome |
| Donna Coates | University of Calgary | Canada | ‘When the World Is Free’: The Representation of the Maori Battalion in Patricia Grace’s Second World War Novel Tu. |
| Anne Collett | University of Wollongong | Australia | Writing Freedom: Nadine Gordimer and The New Yorker |
| Carmen Concilio | Università di Torino | Italy | The Right to Education in Athol Fugard’s Tsotsi |
| Jesus Cyril M. Conde | Ateneo de Naga University | Philippines | Hybrid Christianity in the Oral Literature and Ethnobotany of the Agtas of Mt. Asog in the Bikol Region of the Philippines: Exploring Religious Freedom in Post-Colonial Culture |
| Manuela Coppola | Università della Calabria | Italy | “The cross-over griot”: Lorna Goodison and the Liberation of the Word |
| Laureano Corces | Fairleigh Dickinson University | USA | The Monologue as Freedom Discourse: Representations of Life after March 11 in Once voces contra la barbarie |
| Judith Lütge Coullie | University of KwaZulu-Natal, Durban | South Africa | Remembering to Forget: Testimony, Truth and Reconciliation and the Genesis of the ‘New’ South African Nation |
| Giovanna Covi | Università di trento | Italy | Publishing and Translating Imoinda: Interpellation and the Re-Presentation of Humanity |
| Kylie Crane | University of Erlangen | Germany | Belonging and Possession: Land and Land Rights in The White Earth |
| Pilar Cuder-Dominguez | University of Huelva | Spain | ‘We are travelling peoples’: Freedom as Perpetual Travel in Lawrence Hill’s The Book of Negroes |
| Angela D'Ottavio | Università di Bari | Italy | Acts of Translation: Reading Gayatri Chakravorty Spivak’s Work in the Italian Context |
| Leigh Dale | University of Queensland | Australia | Operation Literary Freedom |
| Margaret J. Daymond | University of Kwazulu-Natal | South Africa | Autobiographical Representations of ‘Selfhood’ and ‘Home’ as Shaped by Banning and House Arrest: Lilian Ngoyi, Helen Joseph and Hilda Bernstein |
| Pietro De andrea | Università di Torino | Italy | Human Bondage in Contemporary UK and its Generic Transformations: from Bridget Anderson’s Britain’s Secret Slaves to Ruth Rendell’s Simisola and Kazuo Ishiguro’s Never Let Me Go |
| Elizabeth De Loughrey | Cornell University | USA | Heliography: Wars of Light |
| Paola Della Valle | Università di Torino | Italy | “I am not a slave … I will be worthy of my native land” (Aida): The Political Use of Italian Melodrama in Witi Ihimaera’s The Matriarch and The Dream Swimmer |
| Marc Delrez | University of Liège | Belgium | The Paradoxes of Grace: New Impingements on Australian Literary Territory |
| Roberto Derobertis | Università di Bari | Italy | “Holding All the Pieces Together.” Colonial Legacies and Postcolonial Futures in Igiaba Scego’s and Ali Farah’s Writings in Italian |
| Alessandra Di Maio | Università di Palermo | Italy | Somalia-Italia: Transnational Narratives from the Postcolonial Younger Generation |
| Natalie Diebschlag | University of Leeds | UK | “Religion without Religion”: Deconstruction and the Desert in Michael Ondaatje’s Divisadero |
| Natasha Distiller | University of Cape Town | South Africa | “Welcome to World of Our Humanity”: Finding the Words to Write Freedom in Post-Apartheid South Africa |
| Pauline Dodgson-Katiyo | Newman University College, Birmingham | UK | Ghosts of the Past and Ghosts of the Present in Edwidge Danticat’s The Farming of Bones |
| Alison Donnell | University of Reading, University of Sussex | UK | Caribbean Sexuality: Writing Beyond the Limits of Difference |
| Denise deCairesNarain | |||
| John Douthwaite | Università di Genova | Italy | Freedom Inside |
| Lorna Down | The University of the West Indies | Jamaica | ‘Flying inna massa face’: Woman, Nature and Sacred Rites/Rights in Marie-Elena John’s Unburnable |
| Tobias Döring | LMU Munich | Germany | Ways of Seeing, Regiments of History: Edward Said’s Photographic Palestine |
| Derek Duncan | University of Bristol | UK | Migrants Who Write: Questions of Value in Postcolonial Italy |