Author Institution Country Title of the paper
Sara Hanaburgh City University of New York USA Writing Back at Globalization: Literary Denunciation of Global Consumerism and Its Effects on Basic Human Rights in Four African Francophone Novels
Felicity Hand University of Barcelona Spain The Confession, the Effusion of Blood and the Allegator: Lindsey Collen´s Mutiny
John C. Hawley Santa Clara University USA Freedom for/from Self-Immolation
Otto Heim University of Hong Kong Hong Kong Global Indigeneity and the Motif of Return in Witi Ihimaera’s Writing
Sissy Helff University of Frankfurt Germany Transculturating Postcolonialism: Thoughts on a Whale Watching Tour in Vancouver Island
Marie Herbillon University of Liège Belgium Writing Oneself in the Plural: The Case of Murray Bail’s Diaries
Christopher Hogarth Wagner College USA Re-writing Racism: Saidou Moussa Ba’s Cultural Translation of Cheikh Hamidou Kane’s Aventure ambiguë
Kirsten HolstPetersen Roskilde University, The Nordic Africa Institute Denmark, Sweden Whose Biafra? A Discussion of Chimamanda Adichie’s novel Half of a Yellow Sun
Mai Palmberg
Lukasz Hudomiet Adam Mickiewicz University, Poznan Poland Try Freedom, Return Home: The Unfulfilled Promise of Personal and Economic Freedom in Kiran Desai’s The Inheritance of Loss and Caryl Phillips’s The Final Passage
Tuomas Huttunen University of Turku Finland Man, Animals and Nature in The Hungry Tide by Amitav Ghosh
Johan Jacobs University of KwaZulu-Natal South Africa Ways of Writing in Zakes Mda’s Novel Cion
Lars Jensen Roskilde University Denmark From Colonial Discourse to Post-Imperial Anxieties: Continental Europe’s Difficulties in Coming to Terms with Its Imperial Legacy
Asimina Karavanta University of Athens Greece The Specter of Imoinda: Un-writing, Re-righting, Claiming the Right to a Community-yet-to-come
Dirk Klopper Stellenbosch University South Africa Between Worlds: Zakes Mda’s Heart of Redness
Janne Korkka University of Turku Finland Pushing the Barriers of Place and Language in the Works of Robert Kroetsch
Françoise Kral University of Paris X, Nanterre France Globalized Rights to Mobility? Hari Kunzru’s Transmission and Kiran Desai’s The Inheritance of Loss
Navneet Kumar University of Calgary Canada The Postcolonial Intellectual and Rewriting Rights: Edward Said and Arundhati Roy
Mirja Kuurola University of Oulu Finland Masks in Patricia Powell’s Pagoda
Jaroslav Kušnír The University of Prešov Slovakia Media, Freedom and Control in Richard Flanagan´s The Unknown Terrorist (2006)
Chantal Kwast-Greff University of Nîmes France Remembering the Past: Aesthetics and Ethics in Australian Contemporary Music and Texts
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