Author |
Institution |
Country |
Title of the paper |
Bénédicte Ledent |
University of Liège |
Belgium |
“Look liberty in the face”: Determinism and Free Will in Caryl Phillips's Foreigners: Three English Lives (2007) |
Margaret Lenta |
University of Kwazulu-Natal |
South Africa |
Novels of Slavery |
Patrick Lenta |
University of Kwazulu-Natal |
South Africa |
The Quiddity of Crime in the Postcolonial Everyday: Ivan Vladislavic’s Portrait With Keys |
Susan Lever |
The University of New South Wales at ADFA, Canberra |
Australia |
The Venetian Way: David Foster’s Testostero |
Emilija Lipovšek |
The College of Tourism, Belgrade |
Serbia |
The Role of Gender in Identity Issues in Zadie Smith’s Novels |
Agnieszka Lobodziec |
The University of Zielona Gora |
Poland |
John Oliver Killens’s Youngblood as a Novel of Commitment Analyzed from the Black Aesthetic Perspective |
Chandani Lokuge |
Monash University |
Australia |
“For a handful of seeds”: The Search for Alternative Visions of Individual and National Freedom in the Fiction of Michael Ondaatje and V.S. Naipaul |
Cristina Lombardi-Diop |
American University of Rome |
Italy |
Postcolonial Italy: A Contrapuntal Perspective |
Mariella Lorusso |
Università di Bologna |
Italy |
Fighting Terrorism since 1492: Aboriginal Women Writing in Canada |
Marta Sofía López |
University of León, University of Alcalá de Henares |
Spain |
The Right to Live Here: African Migrants in Spain |
Maureen Lynch Pèrcopo |
Università di Cagliari |
Italy |
A Terrorist in the Making: Richard Flanagan’s The Unknown Terrorist |
Mukta Mahajan |
University of North Maharashtra |
India |
The Freedom to Write and Writing for Freedom: Reconsidering Dalit Writing in the Postcolonial Context |
Amin Malak |
MacEwan College |
Canada |
The Sorrows of the “Haven of Peace”: Baghdad in Three Postcolonial Narratives |
Ferdinand Malik |
University of Paris III Sorbonne Nouvelle |
France |
Otra vez Omeros: Democratizing Homer in the Caribbean through Derek Walcott’s Omeros and Reinaldo Arenas’s Otra vez el mar |
Harveen Sachdeva Mann |
Loyola University |
USA |
Women’s Rights and Women’s Leadership in the Quit India Movement |
Annabell Marinell |
University of Innsbruck |
Austria |
Bringing Human Rights Home: Writing the Stolen Generations into History |
Peter H. Marsden |
University of Aachen |
Germany |
A Poetics of Political Commitment: Robert Sullivan and Human Rights |
Belén Martín-Lucas |
University of Vigo |
Spain |
Diasporic Haunting: Memory, History and Other Politics of Dissent in David Chariandy’s Soucouyant |
Russell McDougall |
University of New England |
Australia |
The Right of “English” in Sudan: A Literary Education |
Alicia Menéndez Tarrazo |
University of Oviedo |
Spain |
Bridge Indians and Cultural Bastards: Narratives of Urban Exclusion in the World’s “Most Liveable” City. |
Concepción Mengíbar-Rico |
University of Jaen |
Spain |
Rewriting Othello: Caribbean Moors on Stage |
Alessandra Meoni |
Università di Pisa |
Italy |
“De-metaphorizing” and “Becoming” Animal: When the Animal Looks Back. A Reading of Marian Engel’s Bear |
Sara Duana Meyer |
University of Osnabrück |
Germany |
‘Touching the Untouchable’: The Correlation between Physical and Social Transgression in Arundhati Roy’s The God of Small Things |
Therese-Marie Meyer |
Martin-Luther-Universität Halle-Wittenberg |
Germany |
Beyond Freedom in El Dorado: The Image of Native Americans and the English Plantation in the Guianas (1500-1800) |
Galina Miazhevich |
University of Manchester |
UK |
Peripheral Vision: Orthodoxy, Religious Freedom and Postcolonial Identity in Belarus |
Stephen Hutchings |
Michael Mitchell |
University of Warwick |
UK |
In-voice: Paying the Price for a Bill of Rights: Narrative Charges in Fred D'Aguiar and Wilson Harris on Jonestown |
Radhika Mohanram |
Cardiff University |
UK |
Freedom and its Discontents: Rerouting Trauma in Indian Partition Fiction |
Fatima Fiona Moolla |
University of Cape Town |
South Africa |
Human Rights, the Individual and the Creation of a Female Public Sphere: The Novels of Nuruddin Farah |
Alejandra Moreno-Álvarez |
University of Illes Balears |
Spain |
Seeking Freedom through Words in Ambai’s In a Forest, a Deer |
Mariana Morgovan |
University of Oradea |
Romania |
Cry Freedom: South African Fictions/Versions of the Self |
Cinzia Mozzato |
Università degli Studi di Padova |
Italy |
Ethnicity Matters(?): The Case of Uganda |
Pablo Mukherjee |
University of Warwick |
UK |
‘Burning Bright’: Refugees, Tigers and Amitav Ghosh’s Tide Country |
Delphine Munos |
University of Liège |
Belgium |
Freedom Beckons: A ‘Hauntology’ of New Becomings in Short Stories by Shauna Singh Baldwin and Ginu Kamani |
Stuart Murray |
University of Leeds |
UK |
Rights, Freedom and Guardianship: Barry Barclay and Maori Cinema |
Imen Najar |
University of Liège |
Belgium |
Robert Antoni’s Carnival: A Carnivalizing of Ernest Hemingway’s The Sun Also Rises |
Aparajita Nanda |
University of California, Berkeley. |
USA |
The Post Human ‘Other’: Retrieving Rights and a Promise of Freedom in Octavia Butler’s Adulthood Rites |
Soraya Santamaría Navarro |
University of Oviedo |
Spain |
Freedom vs. Fundamentalism in Deepa Mehta’s film Water: Making Ghosts Visible |
Kevin Newmark |
Boston College |
USA |
Dark Freedom: On J. M. Coetzee’s Disgrace |
Isabella Ofner |
Monash University |
Australia |
Violating Shangri-la: Tibetan Diasporic Films and the Representation of Alternative Truths |
Maria Olaussen |
Växjö University |
Sweden |
Freedom and Knowledge in Jamal Mahjoub’s The Carrier |
Britta Olinder |
Gothenburg University |
Sweden |
A Postcolonial Waste Land in Terms of World Capitalism versus Human Rights and Eco-Environmental Issues |